THE JUDGMENT OF EXPERIENCE
Most keyboards I've had have lost their initial positive impression after a while of use.
It almost always happens the same way; after trying various edits, it turns out to be less good than originally thought.
If I had been one of those who only plays everything that is finished and has no need to edit, most keyboards would have turned out to be good, but I'm not like that - I want to create my own styles - MY way.
Therefore, the possibilities for editing are of decisive importance for my final judgment.
Absolutely NO keyboard has come close to the Pa5X in terms of the possibilities for editing the way I want them, and the Pa5X is the only one that still has an increasing value; it gets better every day I use it.
The Audya is the closest, but still far from the Pa5X.
The Tyros1 was a big disappointment with its far too few drum kits.
The PSR-3000 was also a big disappointment.
The 9000 Pro immediately appeared to be very good, but is losing ground every day, largely due to an idiotic tempo control system - only TAP is available, and this is impossible to handle. The tempo is almost always wrong when a new style is started; it has the same tempo as the last one played.
It seems that RGT must be used for every style, which I don't like.
Effects are also simply too bad; they don't sound natural.
The 9000 Pro sounds best DRY.
Despite this, it remains in my stable, as it has other qualities such as the best keybed and a very open sound image.
The Pa5X remains at the top without any competitor due to its superior editing capabilities and superb effects.
Most keyboards I've had have lost their initial positive impression after a while of use.
It almost always happens the same way; after trying various edits, it turns out to be less good than originally thought.
If I had been one of those who only plays everything that is finished and has no need to edit, most keyboards would have turned out to be good, but I'm not like that - I want to create my own styles - MY way.
Therefore, the possibilities for editing are of decisive importance for my final judgment.
Absolutely NO keyboard has come close to the Pa5X in terms of the possibilities for editing the way I want them, and the Pa5X is the only one that still has an increasing value; it gets better every day I use it.
The Audya is the closest, but still far from the Pa5X.
The Tyros1 was a big disappointment with its far too few drum kits.
The PSR-3000 was also a big disappointment.
The 9000 Pro immediately appeared to be very good, but is losing ground every day, largely due to an idiotic tempo control system - only TAP is available, and this is impossible to handle. The tempo is almost always wrong when a new style is started; it has the same tempo as the last one played.
It seems that RGT must be used for every style, which I don't like.
Effects are also simply too bad; they don't sound natural.
The 9000 Pro sounds best DRY.
Despite this, it remains in my stable, as it has other qualities such as the best keybed and a very open sound image.
The Pa5X remains at the top without any competitor due to its superior editing capabilities and superb effects.
Shared knowledge provides increased knowledge
Do the least possible and achieve the most possible
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards
Do the least possible and achieve the most possible
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards


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