EFFECTS - IN MASTER OR INSERT; AND CONSEQUENCES
I found out today that I've been on the wrong track, because I've heavily added effects in Insert FX.
This resulted in many styles not being as expected, as in some cases there was strong distortion (to my ears) and unfortunate compressions, which was especially very evident on drums and perc.
I also made another mistake (until now) which was that I assumed the default max output level should be -12 to -10dB, because most of the recordings I have in my music collection are at this level.
This output level has often caused the same problems as effects in Insert FX.
Korg has used an output level of about -20dB, which turns out to be much better, as this reduces the risk of distortion; it increases the headroom.
Here comes Pa5X's double player to its kingly seat:
By playing the original style in one player and the one you are editing in the other, you can A/B test the difference continuously - no other keyboards have this amazing capability - you have with this the same possibilities as with a full-blooded sound studio..!
My experience is that if I keep the output level at -20dB, and put all my effects (which are basically only Stereo Compressor and Reverb Room) in Master FX instead of Insert FX, I achieve the desired results without distortion and compression problems.
And the necessary work is significantly reduced..!
CONCLUSION:
* Avoid putting lots of basic effects in Insert FX, and put them in Master FX instead.
* Only special effects needed for one track must be added to Insert FX.
* Avoid output levels higher than -20dB.
It took some time to figure this out, but I'm convinced that this is technically the correct way, because this is also done the same way by Korg on the Pa5X.
This way of doing it also frees up resources, while the other left you short on resources.
I found out today that I've been on the wrong track, because I've heavily added effects in Insert FX.
This resulted in many styles not being as expected, as in some cases there was strong distortion (to my ears) and unfortunate compressions, which was especially very evident on drums and perc.
I also made another mistake (until now) which was that I assumed the default max output level should be -12 to -10dB, because most of the recordings I have in my music collection are at this level.
This output level has often caused the same problems as effects in Insert FX.
Korg has used an output level of about -20dB, which turns out to be much better, as this reduces the risk of distortion; it increases the headroom.
Here comes Pa5X's double player to its kingly seat:
By playing the original style in one player and the one you are editing in the other, you can A/B test the difference continuously - no other keyboards have this amazing capability - you have with this the same possibilities as with a full-blooded sound studio..!
My experience is that if I keep the output level at -20dB, and put all my effects (which are basically only Stereo Compressor and Reverb Room) in Master FX instead of Insert FX, I achieve the desired results without distortion and compression problems.
And the necessary work is significantly reduced..!
CONCLUSION:
* Avoid putting lots of basic effects in Insert FX, and put them in Master FX instead.
* Only special effects needed for one track must be added to Insert FX.
* Avoid output levels higher than -20dB.
It took some time to figure this out, but I'm convinced that this is technically the correct way, because this is also done the same way by Korg on the Pa5X.
This way of doing it also frees up resources, while the other left you short on resources.
Shared knowledge provides increased knowledge
Do the least possible and achieve the most possible
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards
Do the least possible and achieve the most possible
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards


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