MUSIC IS A CONTROVERSIAL TOPIC
What is good or bad music, and why ?
This is a solid basis for starting a controversy.
Although music is mathematically explainable and mathematically defensible, (it should be) required of the debater a certain musicality.
Here the controversy begins to take shape, because most people only have a limited musicality, while those who have sufficient musicality understand and accept the mathematics of music intuitively.
Music can also have a mathematics that is on the borderline of the inharmonic; so-called A-tonal music, which stretches the harmonic limits to the extreme.
Popular music, on the other hand, is almost exclusively simple and easy to understand, even for the less musical, with simple, easy-to-understand harmonies.
Many people do not like jazz, most often because they do not understand its often complex harmonies, but this can also simply be due to taste and preference.
Classical music is something of the same - it places certain demands on the listener's musicality, but can be fully defended mathematically, and forms the basis for all other genres.
To understand harmonies and their mathematical laws, it is best to study classical music.
A highly educated musician has a solid basis for being able to say what is good or bad music, and is able to mathematically explain why.
It is perhaps also correct to say that bad music is based on harmonies that are repeated over and over again without variations, something that anyone can in principle compose without theoretical knowledge or particular musicality.
Most popular music is like that in my opinion; repetitive harmonies without variations, and digital tools allow anyone to become a composer without any knowledge of music.
Moreover, even the world's greatest composers have their own harmonic signature and tendency to choose their own harmonic variations, such as Beethoven and Mozart and a host of others.
But in any case, music is and remains a controversial victim of people's different tastes, and it is the majority that decides - and they are not musicians and often completely unmusical.
Being criticized for one's musical performance by ordinary people should be given little or no value, while the criticism of a valued musician should be taken very seriously.
Despite taste and liking.
What is good or bad music, and why ?
This is a solid basis for starting a controversy.
Although music is mathematically explainable and mathematically defensible, (it should be) required of the debater a certain musicality.
Here the controversy begins to take shape, because most people only have a limited musicality, while those who have sufficient musicality understand and accept the mathematics of music intuitively.
Music can also have a mathematics that is on the borderline of the inharmonic; so-called A-tonal music, which stretches the harmonic limits to the extreme.
Popular music, on the other hand, is almost exclusively simple and easy to understand, even for the less musical, with simple, easy-to-understand harmonies.
Many people do not like jazz, most often because they do not understand its often complex harmonies, but this can also simply be due to taste and preference.
Classical music is something of the same - it places certain demands on the listener's musicality, but can be fully defended mathematically, and forms the basis for all other genres.
To understand harmonies and their mathematical laws, it is best to study classical music.
A highly educated musician has a solid basis for being able to say what is good or bad music, and is able to mathematically explain why.
It is perhaps also correct to say that bad music is based on harmonies that are repeated over and over again without variations, something that anyone can in principle compose without theoretical knowledge or particular musicality.
Most popular music is like that in my opinion; repetitive harmonies without variations, and digital tools allow anyone to become a composer without any knowledge of music.
Moreover, even the world's greatest composers have their own harmonic signature and tendency to choose their own harmonic variations, such as Beethoven and Mozart and a host of others.
But in any case, music is and remains a controversial victim of people's different tastes, and it is the majority that decides - and they are not musicians and often completely unmusical.
Being criticized for one's musical performance by ordinary people should be given little or no value, while the criticism of a valued musician should be taken very seriously.
Despite taste and liking.
Shared knowledge provides increased knowledge
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards


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