SECOND DIMENSION IN SOUND ACHIEVED
I have said a little earlier about ongoing projects with my horns (Angel Wings).
The first part is now complete, which consisted of connecting the horns and the old main speakers in a quadrophonic set-up.
This turned out to be more work than I anticipated, because I have very little space for everything, and it is very difficult to do anything, because there is no room to maneuver.
It helps to be soft in the body, an ability that diminishes with age; but i can still do things 20 year olds can't do but i can't wrap my legs around my neck anymore lol.
To the case:
Although there is almost no level on the horns compared to the main speakers, the perspective was even better than before - even the Red Hot Chili Peppers end up in the middle with a wide soundstage.
RHCD has very dynamic recordings, but is distinctly stereo, and almost impossible to get centered towards the middle.
The bass that was missing with my new baffles is now back and everything is much more dynamic than before.
The perspective can be further improved by placing the main speakers a little further back, because these require much less power than the horns.
Alternatively, it should be tested whether everything can be connected in the opposite direction; that the horns are connected normally, while the main speakers are connected quadraphonically.
My intuition tells me that this will work better, because the main speakers will thus get a spatial sound similar to the horns.
Everything works as I had hoped anyway.
I'm also upgrading my Philips horn tweeters, and I'm almost done.
New horns have been acquired earlier (30cm in diameter), and I have inserted L-Pads into the connection terminals, so that the level can be adjusted.
All loudspeakers are also now equipped with double terminals - the Philips horns can thus be connected freely.
Pictures will be presented when everything is completely finished.
I have said a little earlier about ongoing projects with my horns (Angel Wings).
The first part is now complete, which consisted of connecting the horns and the old main speakers in a quadrophonic set-up.
This turned out to be more work than I anticipated, because I have very little space for everything, and it is very difficult to do anything, because there is no room to maneuver.
It helps to be soft in the body, an ability that diminishes with age; but i can still do things 20 year olds can't do but i can't wrap my legs around my neck anymore lol.
To the case:
Although there is almost no level on the horns compared to the main speakers, the perspective was even better than before - even the Red Hot Chili Peppers end up in the middle with a wide soundstage.
RHCD has very dynamic recordings, but is distinctly stereo, and almost impossible to get centered towards the middle.
The bass that was missing with my new baffles is now back and everything is much more dynamic than before.
The perspective can be further improved by placing the main speakers a little further back, because these require much less power than the horns.
Alternatively, it should be tested whether everything can be connected in the opposite direction; that the horns are connected normally, while the main speakers are connected quadraphonically.
My intuition tells me that this will work better, because the main speakers will thus get a spatial sound similar to the horns.
Everything works as I had hoped anyway.
I'm also upgrading my Philips horn tweeters, and I'm almost done.
New horns have been acquired earlier (30cm in diameter), and I have inserted L-Pads into the connection terminals, so that the level can be adjusted.
All loudspeakers are also now equipped with double terminals - the Philips horns can thus be connected freely.
Pictures will be presented when everything is completely finished.
Shared knowledge provides increased knowledge
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards



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