DIGITAL NOISE
For a long time I thought I was the only one bothered by this.
I first noticed the problem when USB was launched - everything based on this had an intolerable noise that was especially annoying around 15kHz to 25kHz.
Many claim that bad USB cables are the cause, but I have replaced all of them with expensive versions - without ANY change.
However, there are several factors that come into play, such as the individual's ability to perceive such high frequencies - most people over 37 have severely reduced hearing above 10kHz, while I am "blessed" (or cursed..?) with being able to hear frequencies up to 25kHz or higher.
Secondly, very few people have speakers that are capable of reproducing such high frequencies, while I have had them for many years.
A good DAC/AAC that handles 24 bit (or more) is also necessary.
Thirdly, there are not many recordings that have such high frequencies, and all Mp3 is excluded, while Wave and FLAC can have them, and DSD/SACD is the best, with 24 bit - or higher.
It is important to know that Wave and FLAC are often only 16 bit (CD "quality"), which gives a greatly reduced resolution compared to 24 bit.
A lot of recordings that are available as SACD/Wave/FLAC are actually 16 bit Wave that has been "converted" to 24 bit SACD/Wave/FLAC, which means that they are only 16 bit - it is practically impossible to increase the bitrate by conversion - well-trained ears hear this immediately.
Back to the point:
Digital noise.
I have experienced digital noise for years, even with quality products such as the AUNE S6 DAC and MOTU M4 AAC, which both support 32 bit.
Both of these have the best chips on the market installed.
Another source of problem is the amplifiers used; are these analog or digital ?
Analog amplifiers such as tube are the worst of all, as they act as an antenna to digital noise - mobile phones and the like emit an extreme amount of digital noise.
Ordinary analog ones that are particularly well shielded can work quite well, while digital ones that are very well shielded are the only ones that work well enough.
Digital amplifiers with poor shielding are a nightmare.
So how to solve the problem ?
The most effective thing is to place the PC as far away from the program sources as possible, while I pretty much have to have the PC placed close, which maximizes the problem.
So other solutions have to be tried, and the only effective one is USB Isolation.
Some time ago I acquired one of these, and this works quite well with the AUNE DAC, but has no effect on the MOTU AAC, probably because this gets power via USB C.
I have recently acquired a new sound card, which is also USB C based, and have also ordered special USB Isolators for both USB B and C, which can be connected to each device.
Hopefully these will reduce the noise to a tolerable level.
I have planned a test of this new sound card, but will have to wait until I receive the USB Isolators.
I will get back to the subject as soon as possible.
For a long time I thought I was the only one bothered by this.
I first noticed the problem when USB was launched - everything based on this had an intolerable noise that was especially annoying around 15kHz to 25kHz.
Many claim that bad USB cables are the cause, but I have replaced all of them with expensive versions - without ANY change.
However, there are several factors that come into play, such as the individual's ability to perceive such high frequencies - most people over 37 have severely reduced hearing above 10kHz, while I am "blessed" (or cursed..?) with being able to hear frequencies up to 25kHz or higher.
Secondly, very few people have speakers that are capable of reproducing such high frequencies, while I have had them for many years.
A good DAC/AAC that handles 24 bit (or more) is also necessary.
Thirdly, there are not many recordings that have such high frequencies, and all Mp3 is excluded, while Wave and FLAC can have them, and DSD/SACD is the best, with 24 bit - or higher.
It is important to know that Wave and FLAC are often only 16 bit (CD "quality"), which gives a greatly reduced resolution compared to 24 bit.
A lot of recordings that are available as SACD/Wave/FLAC are actually 16 bit Wave that has been "converted" to 24 bit SACD/Wave/FLAC, which means that they are only 16 bit - it is practically impossible to increase the bitrate by conversion - well-trained ears hear this immediately.
Back to the point:
Digital noise.
I have experienced digital noise for years, even with quality products such as the AUNE S6 DAC and MOTU M4 AAC, which both support 32 bit.
Both of these have the best chips on the market installed.
Another source of problem is the amplifiers used; are these analog or digital ?
Analog amplifiers such as tube are the worst of all, as they act as an antenna to digital noise - mobile phones and the like emit an extreme amount of digital noise.
Ordinary analog ones that are particularly well shielded can work quite well, while digital ones that are very well shielded are the only ones that work well enough.
Digital amplifiers with poor shielding are a nightmare.
So how to solve the problem ?
The most effective thing is to place the PC as far away from the program sources as possible, while I pretty much have to have the PC placed close, which maximizes the problem.
So other solutions have to be tried, and the only effective one is USB Isolation.
Some time ago I acquired one of these, and this works quite well with the AUNE DAC, but has no effect on the MOTU AAC, probably because this gets power via USB C.
I have recently acquired a new sound card, which is also USB C based, and have also ordered special USB Isolators for both USB B and C, which can be connected to each device.
Hopefully these will reduce the noise to a tolerable level.
I have planned a test of this new sound card, but will have to wait until I receive the USB Isolators.
I will get back to the subject as soon as possible.
Shared knowledge provides increased knowledge
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit DAC - connected through USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit DAC - connected through USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards



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