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IDEAL EXPRESSION TUNING ?
#1
Lightbulb 
IDEAL EXPRESSION TUNING ?

Most professionals who edit styles seem to share the opinion that variations (mains) and fills should have an increasing intensity from the first to the last.

Personally, I disagree with this, because this creates a stressful performance, where it is all about constantly maximizing, and finally ending in a climax.

I have a feeling more for the way jazz performers do it; starting calmly, increasing the intensity a little, doing a jam session, and finally calming down again.

This would have given Expression values something like this:
Var 1 100
Var 2 110
Var 3 120
Var 4 110


What do YOU think ?
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  • Graham UK (04-18-2025)
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#2
I have the expression set to 0 on everything but the drums but that's because I automate the expression to side chain. I find the best way to way to set the track levels is by using a loudness meter
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  • Chello (04-18-2025)
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#3
(04-18-2025, 03:04 AM)Aripearlmusic Wrote: I have the expression set to 0 on everything but the drums but that's because I automate the expression to side chain. I find the best way to way to set the track levels is by using a loudness meter


I understand that using side chains excludes the use of expressions ?
But you use expressions for drums and perc ?

And using a loudness meter is a good idea, because the Pa5X's level meter is very unreliable, especially in the bass range.
I use Foobar2000's spectrum display, but a loudness meter would be the best solution.

Thanks for the tip !
Shared knowledge provides increased knowledge
Do the least possible and achieve the most possible
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven

KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)

MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards
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