SPEAKERS BURN IN
For me this is old knowledge, but it may not be so familiar to everyone.
I came across an article from Matrix-Hifi, where they had asked the question:
"What's the significance of run in time or burn in time on a loudspeaker unit ?"
The head R&D engineer for Scan-Speak says this:
"The drive units are not "burned in" when they leave our factory. However, the Thiele/Small parameters for Scan-Speak drivers are always given for units that are burned in - for the simple reason that it makes the designer's job easier, as all speakers will end up being burned in. Speaker units will automatically burn in when they are being used. If you buy a brand new speaker system (which normally is not burned in), complete burn-in will take about a month - depending on how often (and how loud) you listen to music. During burn-in the sound quality should improve.
There is a fast way to do it and the speaker designer should burn in the units (especially the woofers) before tuning the cabinet volume, damping material and port length (vented speaker) and trimming the cross-over network.
All you need is a sine wave generator and a power amplifier. Keep the drive unit in free air. Set the frequency to about 75% of the expected free air resonance frequency of the drive unit and turn up the voltage until the cone reaches full excursion without making mechanical noise. Let it run for 5 minutes and the job is done.
Notice that only Scan-Speak parameters are given for burned in drivers. You can expect the free air resonance frequency to drop about 10% (in some cases even up to 15% - the stiffer the spider, the bigger the change) during break-in. Naturally this affects the Q-values (they go down) and the equivalent volume (Vas goes up), as it is the suspension compliance that increases."
Matrix-Hifi's note:
In about 5 minutes, the cones are burnt in with a signal tone. Using music, in about a month (depending of the frequency and volume we listen music at). At a rate of 3 hours daily, 90 hours would be all what we need to have our speakers burnt in.
For me this is old knowledge, but it may not be so familiar to everyone.
I came across an article from Matrix-Hifi, where they had asked the question:
"What's the significance of run in time or burn in time on a loudspeaker unit ?"
The head R&D engineer for Scan-Speak says this:
"The drive units are not "burned in" when they leave our factory. However, the Thiele/Small parameters for Scan-Speak drivers are always given for units that are burned in - for the simple reason that it makes the designer's job easier, as all speakers will end up being burned in. Speaker units will automatically burn in when they are being used. If you buy a brand new speaker system (which normally is not burned in), complete burn-in will take about a month - depending on how often (and how loud) you listen to music. During burn-in the sound quality should improve.
There is a fast way to do it and the speaker designer should burn in the units (especially the woofers) before tuning the cabinet volume, damping material and port length (vented speaker) and trimming the cross-over network.
All you need is a sine wave generator and a power amplifier. Keep the drive unit in free air. Set the frequency to about 75% of the expected free air resonance frequency of the drive unit and turn up the voltage until the cone reaches full excursion without making mechanical noise. Let it run for 5 minutes and the job is done.
Notice that only Scan-Speak parameters are given for burned in drivers. You can expect the free air resonance frequency to drop about 10% (in some cases even up to 15% - the stiffer the spider, the bigger the change) during break-in. Naturally this affects the Q-values (they go down) and the equivalent volume (Vas goes up), as it is the suspension compliance that increases."
Matrix-Hifi's note:
In about 5 minutes, the cones are burnt in with a signal tone. Using music, in about a month (depending of the frequency and volume we listen music at). At a rate of 3 hours daily, 90 hours would be all what we need to have our speakers burnt in.
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Do the least possible and achieve the most possible
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards
Do the least possible and achieve the most possible
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards



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