KETRON MAKES THE BEST STYLES
In the last few days I have been playing a lot on my restored Audya 76.
I bought this a while ago with a broken hard drive and screen.
I managed to fix both; the hard drive by pasting cloned content from a previous Audya, the screen by fixing a bad connection to the motherboard.
Everything works as it should, except that some styles with Audio drums are out of sync, and Audio drums are not available in the menu.
Whatever - styles without audio drums is anyway better than anything else I've heard, to my great surprise.
Better than Pa5X too.
I have said that the Audya 76 was the world's most advanced arranger until the Pa5X, but many indications are that the Audya is still the most advanced.
A lot of ordinary styles have a feature I haven't seen anywhere else:
Variation 4 has locked chords, and how is determined by which chords you used in the variation before variation 4..! WOW !
And it doesn't stop there; variation 4 has a double pattern, which is also longer than the others.
In addition, there is a built-in effect in the left hand chord, which is determined by how hard you press down the keys.
There are a number of programmable options for determining chords and how these should work, which I have never seen before.
The styles also have more dynamic tracks than others - all tracks are also easy to distinguish from each other, and are perfectly adjusted.
The dynamics is something in itself, and this applies to all patterns for all tracks.
My current Audya behaves differently than what I had before - no bugs to date, and the sound is exceptionally good in the standard setup.
The styles I have attached demos of here are all in standard mode without audio drums, and originally in SD 1-5 format adapted to Audya by Ketron.
I have to reconsider my previous opinion of Audya, because this blows everyone else off the field.
Blues.mp3 (Size: 3.89 MB / Downloads: 21)
Country Dixie.mp3 (Size: 3.05 MB / Downloads: 11)
Funky.mp3 (Size: 3.75 MB / Downloads: 17)
Jive.mp3 (Size: 2.98 MB / Downloads: 7)
Latin Ballad.mp3 (Size: 3.62 MB / Downloads: 10)
Manouche.mp3 (Size: 3.6 MB / Downloads: 6)
Organ Jazz.mp3 (Size: 3.52 MB / Downloads: 9)
R&BBlues.mp3 (Size: 4.74 MB / Downloads: 12)
Rocking.mp3 (Size: 3.11 MB / Downloads: 15)
In the last few days I have been playing a lot on my restored Audya 76.
I bought this a while ago with a broken hard drive and screen.
I managed to fix both; the hard drive by pasting cloned content from a previous Audya, the screen by fixing a bad connection to the motherboard.
Everything works as it should, except that some styles with Audio drums are out of sync, and Audio drums are not available in the menu.
Whatever - styles without audio drums is anyway better than anything else I've heard, to my great surprise.
Better than Pa5X too.
I have said that the Audya 76 was the world's most advanced arranger until the Pa5X, but many indications are that the Audya is still the most advanced.
A lot of ordinary styles have a feature I haven't seen anywhere else:
Variation 4 has locked chords, and how is determined by which chords you used in the variation before variation 4..! WOW !
And it doesn't stop there; variation 4 has a double pattern, which is also longer than the others.
In addition, there is a built-in effect in the left hand chord, which is determined by how hard you press down the keys.
There are a number of programmable options for determining chords and how these should work, which I have never seen before.
The styles also have more dynamic tracks than others - all tracks are also easy to distinguish from each other, and are perfectly adjusted.
The dynamics is something in itself, and this applies to all patterns for all tracks.
My current Audya behaves differently than what I had before - no bugs to date, and the sound is exceptionally good in the standard setup.
The styles I have attached demos of here are all in standard mode without audio drums, and originally in SD 1-5 format adapted to Audya by Ketron.
I have to reconsider my previous opinion of Audya, because this blows everyone else off the field.

Shared knowledge provides increased knowledge
Do the least possible and achieve the most possible
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards
Do the least possible and achieve the most possible
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards



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