Thread Rating:
  • 1 Vote(s) - 4 Average
  • 1
  • 2
  • 3
  • 4
  • 5
IN CHASING FOR THE FINAL EXTRA BOOST IN THE TOP FREQUENCY RANGE
#3
LATEST ADJUSTMENTS - EUREKA

Known theories are always a good starting point, but only practical experiments and the ears tell the real truth.

I always strive to find the crossover frequency that gives the most natural sound possible, and this is always at the low end of the working range that is stated/measured; especially when it comes to tweeters.

To achieve this, the unit should have high efficiency and high power tolerance.

I first tried to locate the upper extreme by choosing a crossover frequency as high as 22,000 Hz (!).

This gave a surprising amount of content, but the sound was too sharp with unpleasant s`s for vocals.
So I went back to the textbook, which suggests that the lowest possible crossover frequency is the most suitable.

By changing the first choice from 13,000 Hz to 14,650 Hz and choosing a different type of capacitor, all the unpleasant s`s disappeared, and there is still enough level for the higher frequencies.


Next, I did the same with the JBL horns:
I connected 2 capacitors of the same type as for the tweeter in parallel, so that the crossover frequency became 1185 Hz, hoping to remove the marginal tendency for human voices to be shrill.

Eureka!
The shrillness was gone, and I can play relatively loud (80-90dB) without things going wrong, and still have the gain from the horns.


CONCLUSION:
I have spent a lot of my time experimenting with both 6dB and 12dB filters, but 6dB is what works best (just a capacitor without a coil).

I have also spent a lot of money on acquiring different qualities of capacitors, only to find that the more expensive ones in my case were not the best.

The more expensive ones were from Jantzen Audio which are very highly rated, while my choice was SCR, which are far cheaper and the ones that most resemble Sidereal (Sidereal Akustic Audio Systems), which are my reference as the best.

SCR is widely used in more expensive Klipsch systems, and I have used these for many years.


The last (temporary..?) step in this process will be to construct cabinets for my 40 cm bass woofers from Great Plains Audio, which can go all the way down to 20 Hz, but the cabinet will be insanely large; about 470 liters..!

I already have a subwoofer that goes well below 20 Hz, so I can make the cabinet significantly smaller; ideally so that I get the bass from 40 Hz and up.

For space reasons I am limited to a size of about 150 liters, as these must be placed behind the keyboards in front and to the sides for the existing subwoofer.

I will start making the cabinets soon, so we will see if the guess of 150 liters works as hoped.
Shared knowledge provides increased knowledge
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven

KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)

MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards
[-] The following 1 user Likes Chello's post:
  • musicalmemoriesuk (07-11-2026)
Like Reply


Messages In This Thread
RE: IN CHASING FOR THE FINAL EXTRA BOOST IN THE TOP FREQUENCY RANGE - by Chello - 07-11-2026, 03:52 AM



Users browsing this thread: 3 Guest(s)