DIGITAL RESOLUTION
Key Digital Audio Formats
* MP3 (MPEG-1 Audio Layer-3): The most common lossy format, reducing file size by 90% by removing inaudible audio, ideal for portable storage but lower quality than others.
* AAC (Advanced Audio Coding): Lossy, superior to MP3 at similar bitrates. It is the standard for YouTube, Android, and Apple Music.
* WAV (Waveform Audio File Format): Uncompressed, high-fidelity format developed by Microsoft/IBM. Ideal for production but produces large file sizes.
* FLAC (Free Lossless Audio Codec): Compressed without data loss (lossless), often considered the best for high-quality audio storage.
* ALAC (Apple Lossless Audio Codec): Lossless format developed by Apple, offering identical quality to the source but smaller than uncompressed files.
* OGG (Ogg Vorbis): Open-source, lossy format used by Spotify for streaming, considered more efficient than MP3.
* AIFF (Audio Interchange File Format): Uncompressed audio developed by Apple, offering similar high quality to WAV but better metadata support.
There are many subformats of these that are likely to cause confusion.
I only use 24 bit or higher, and these can be either Wave, FLAC, DSD, DSF or DFF (SACD).
The difference between CD and SACD is that CD is only 16 bit, while SACD is 24 bit.
I don't use Mp3 and similar, because these reduce the quality to my ears and equipment, while others with worse ears and equipment find Mp3 and similar to be perfectly OK.
16 bit Wave and similar can work fine, but if you compare the same audio file with one in 24 bit or higher, there is a clear difference.
There are many examples of how 16 bit can be better than both 24 and 32 bit, when the recording is very well made with near-field techniques, e.g.
If the recording itself is done badly; it doesn't help if the audio file is 32 bit.
My future demos for Pa5X and Kronos will in a while only be made as 24 bit.
Key Digital Audio Formats
* MP3 (MPEG-1 Audio Layer-3): The most common lossy format, reducing file size by 90% by removing inaudible audio, ideal for portable storage but lower quality than others.
* AAC (Advanced Audio Coding): Lossy, superior to MP3 at similar bitrates. It is the standard for YouTube, Android, and Apple Music.
* WAV (Waveform Audio File Format): Uncompressed, high-fidelity format developed by Microsoft/IBM. Ideal for production but produces large file sizes.
* FLAC (Free Lossless Audio Codec): Compressed without data loss (lossless), often considered the best for high-quality audio storage.
* ALAC (Apple Lossless Audio Codec): Lossless format developed by Apple, offering identical quality to the source but smaller than uncompressed files.
* OGG (Ogg Vorbis): Open-source, lossy format used by Spotify for streaming, considered more efficient than MP3.
* AIFF (Audio Interchange File Format): Uncompressed audio developed by Apple, offering similar high quality to WAV but better metadata support.
There are many subformats of these that are likely to cause confusion.
I only use 24 bit or higher, and these can be either Wave, FLAC, DSD, DSF or DFF (SACD).
The difference between CD and SACD is that CD is only 16 bit, while SACD is 24 bit.
I don't use Mp3 and similar, because these reduce the quality to my ears and equipment, while others with worse ears and equipment find Mp3 and similar to be perfectly OK.
16 bit Wave and similar can work fine, but if you compare the same audio file with one in 24 bit or higher, there is a clear difference.
There are many examples of how 16 bit can be better than both 24 and 32 bit, when the recording is very well made with near-field techniques, e.g.
If the recording itself is done badly; it doesn't help if the audio file is 32 bit.
My future demos for Pa5X and Kronos will in a while only be made as 24 bit.
Shared knowledge provides increased knowledge
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC - connected through Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC - connected through Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards



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