WHY TO CHOOSE 61, 76 OR 88 KEYS
If you are a pianist, or have piano as your preferred instrument, you should consistently choose 88 keys.
Why?
Because you thus get a keybed that corresponds to a real piano with the same number of keys - you avoid transpositions, which limit your performance.
Secondly, the keys should be weighed in real piano, and here begins the uncertain choice - there are many types of piano weighting.
All have in common that it is never stated which reference weight has been used, which should have been imposed.
There are a number of different types of piano weighted keybeds, but Korg`s newer versions of RH3 are considered by many to be the best.
It is not only the weight moment (torque) that determines how the keys behave - there are also many different types of mechanisms.
At the same time, you should be aware that a credible piano weighted keybed has certain limitations when playing other instruments on them - fast trios may, for example, be impossible because the response to a piano is slower than many other instruments.
Here the difference between Kronos' RH3 and the keybed on the DGX-670 is very clear - DGX has its limitations, while Kronos does not.
Korg`s NH piano weighted keybed is a good alternative if you want 88 keys without the real feeling that you are playing a piano - the keybed has an incredibly good response; actually better than Genos, and allows you to play all instruments with the fastest trios brilliant.
So what is the difference between 88, 76 and 61 keys keybeds?
88 almost always has piano weighted keys, but for example Kronos 88 was also made in an LS version, which has light touch weighting.
76 keys are delivered as both piano weighted and semi weighted, while 61 keys are always regular or semi weighted.
Semi-weighted is known to be a little heavier than regular (unweighted), but far lighter than piano-weighted.
If you are a pianist, or have piano as your preferred instrument, you should consistently choose 88 keys.
Why?
Because you thus get a keybed that corresponds to a real piano with the same number of keys - you avoid transpositions, which limit your performance.
Secondly, the keys should be weighed in real piano, and here begins the uncertain choice - there are many types of piano weighting.
All have in common that it is never stated which reference weight has been used, which should have been imposed.
There are a number of different types of piano weighted keybeds, but Korg`s newer versions of RH3 are considered by many to be the best.
It is not only the weight moment (torque) that determines how the keys behave - there are also many different types of mechanisms.
At the same time, you should be aware that a credible piano weighted keybed has certain limitations when playing other instruments on them - fast trios may, for example, be impossible because the response to a piano is slower than many other instruments.
Here the difference between Kronos' RH3 and the keybed on the DGX-670 is very clear - DGX has its limitations, while Kronos does not.
Korg`s NH piano weighted keybed is a good alternative if you want 88 keys without the real feeling that you are playing a piano - the keybed has an incredibly good response; actually better than Genos, and allows you to play all instruments with the fastest trios brilliant.
So what is the difference between 88, 76 and 61 keys keybeds?
88 almost always has piano weighted keys, but for example Kronos 88 was also made in an LS version, which has light touch weighting.
76 keys are delivered as both piano weighted and semi weighted, while 61 keys are always regular or semi weighted.
Semi-weighted is known to be a little heavier than regular (unweighted), but far lighter than piano-weighted.
Shared knowledge provides increased knowledge
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit DAC - connected through USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit DAC - connected through USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards


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