TRANSPOSITION MYSTERY SOLVED
Especially after I started using Style Creator Bot, I have experienced several times that it is impossible to find the correct transposition for ending 1 - even if all options for chord selection are tried on the Pa5X, the chords are wrong.
One example I worked with was Hard Times by Eric Clapton - ending 1 was wrong no matter what I did.
When I opened the midi file in Style Works, I immediately encountered the same problem, because Style Works had automatically chosen the same starting point for ending 1 as Style Creator Bot - no chord selection fit.
However, when I moved the starting point back a bit, everything was correct.
I have had many such experiences with Style Works until I found out that it was all due to the wrong starting point.
A lot of styles created with Style Creator Bot have this error, and this can only be fixed by making ending 1 shorter, until the start hits the right place.
In cases where there are too few bars for this to be possible, the only option is to make it as short as ending 2 or ending 1 - otherwise ending 1 remains unusable.
I created new intros and endings with Style Works, and all of them were longer than those with SCB.
SCB created intro 1 with 4 bars and ending 1 with 6 bars.
Style Works created intro 1 with 10 bars and ending 1 with 6 bars.
The demos clearly show what SCB does wrong:
Both intro 1 and ending 1 start too late, and ending 1 starts in the wrong place, so the chords are in the wrong key no matter what you do.
Hard Times with SCB:
0:00 - 0:15 intro 1
0:16 - 0:35 ending 1
Note that ending 1 starts with the wrong key.
Hard Times SCB.mp3 (Size: 1.33 MB / Downloads: 6)
Hard Times with Style Works:
0:00 - 0:33 intro 1
0:34 - 1:03 intro 2
1:04 - 1:52 ending 1
1:53 - 2:14 ending 2
Hard Times Style Works.mp3 (Size: 5.1 MB / Downloads: 6)
Intro 2 and ending 2 are actually the most correct.
I have made intro 2/ending 2 as Playback.
Especially after I started using Style Creator Bot, I have experienced several times that it is impossible to find the correct transposition for ending 1 - even if all options for chord selection are tried on the Pa5X, the chords are wrong.
One example I worked with was Hard Times by Eric Clapton - ending 1 was wrong no matter what I did.
When I opened the midi file in Style Works, I immediately encountered the same problem, because Style Works had automatically chosen the same starting point for ending 1 as Style Creator Bot - no chord selection fit.
However, when I moved the starting point back a bit, everything was correct.
I have had many such experiences with Style Works until I found out that it was all due to the wrong starting point.
A lot of styles created with Style Creator Bot have this error, and this can only be fixed by making ending 1 shorter, until the start hits the right place.
In cases where there are too few bars for this to be possible, the only option is to make it as short as ending 2 or ending 1 - otherwise ending 1 remains unusable.
I created new intros and endings with Style Works, and all of them were longer than those with SCB.
SCB created intro 1 with 4 bars and ending 1 with 6 bars.
Style Works created intro 1 with 10 bars and ending 1 with 6 bars.
The demos clearly show what SCB does wrong:
Both intro 1 and ending 1 start too late, and ending 1 starts in the wrong place, so the chords are in the wrong key no matter what you do.
Hard Times with SCB:
0:00 - 0:15 intro 1
0:16 - 0:35 ending 1
Note that ending 1 starts with the wrong key.
Hard Times with Style Works:
0:00 - 0:33 intro 1
0:34 - 1:03 intro 2
1:04 - 1:52 ending 1
1:53 - 2:14 ending 2
Intro 2 and ending 2 are actually the most correct.
I have made intro 2/ending 2 as Playback.
Shared knowledge provides increased knowledge
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards



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