ONGOING TEST OF PA5X STYLE CREATOR BOT (SCB)
This is a very extensive test that will continue for a while, and I have chosen to post my 26 questions that I am seeking answers to.
These will be answered as I can reasonably be sure to give an answer; either with red or green text - negative or positive.
This also makes it easy to see what has been covered during the test.
1: Can both format 0 and 1 be used, or only one ?
It seems that both format 0 and 1 can be used, because the version for Pa4X kept giving messages about the wrong format, while this one has not done this so far, and I have tested several hundred midi files from different origins
2: Can all types of midi files be used, or only GM ?
All formats work
3: How well are the different formats such as GM, GM2, GS, NX and XG handled ?
GM2 and NX work OK, while GS is the closest to GM, which works best of all.
XG works poorly, and here it's interesting to mention DOO midi files, which are supposedly GM, but are actually XG converted to GM.
This results in a lot of missing parameters, which makes these the worst of all.
DOO gets paid well to fool people..!
4: Are there built-in copyright restrictions ?
YES - I have experienced this several times, but most midi files can be loaded.
When a midi file is restricted by Copyright, this causes the keyboard to restart when you try to convert.
This is a bad solution chosen by Korg - they could have simply stated that the file is Copy protected.
5: Are there (other) hidden limitations ?
It must be called a limitation when a file cannot be converted and the message Conversion failure! appears, without giving the reason, which is probably that the file is Copy Protected
6: Are there any editing options ?
No - automatic conversion only
7: To what extent is SCB able to make correct transpositions ?
Bad - most of the approximately 50 midi files I have tested get the wrong transposition in Intro 1 and Ending 1. Several styles have incorrect transposition in either Intro 1 or Ending 1 - or both.
These can usually be corrected on the keyboard, but not always.
Occasionally, incorrect transposition also occurs in a Variation track, but this cannot be corrected.
8: How well does SCB manage to exclude MEL tracks from Variations ?
This varies greatly - in many cases MEL tracks are included in Variations - sometimes this works well, others not
9: Is SCB capable of creating usable styles from very simple midi files that only have drums, bass and piano ?
No - the piano has a melody role (MEL), and SCB is not able to interpret this as Playback
10: Is SCB capable of handling complex midi files with 16 tracks ?
Yes; this seems to work without any problems
11: To what extent are complex midi files converted with a good result ?
This varies greatly - if the midi file contains many complex chords that change frequently, this goes very badly. The same happens with unusual time signatures, or if the time signature changes along the way - songs like Money by Pink Floyd crash completely. Nevertheless, SCB often surprises by managing to create working styles from complex midi files
12: How many bars are chosen for Variations - 4 or 8 or more ?
For the most part, 4 bars are used, which is to be expected, simply because most songs are in 4/4. Many have both 2 and 4 bars, but there are several examples where 8 bars are also used. In addition, I have noted that 2 bars are occasionally used in Fills
13: Does SCB create all parts (all intros, variations, fills/break and endings) or just some ?
Yamaha's version never does a complete job
Yes; all parts are created - without exception. Here SCB outclasses Yamaha's version
14: Is SCB able to vary the choice of active instruments for individual style elements ?
Yes; I have seen some examples of this being done
15: Do all parts start and stop at the correct bar ?
In the vast majority of cases, all Variations and Fills start correctly. However, it is very common for Intro 1 and Ending 2 to start and stop at the wrong bar, which is due to too few bars in these.
* In a few cases it happens that the style does not work at all - nothing happens when a part is pressed.
* It has also happened that everything hangs when a style is started, and the keyboard has to be restarted.
* Errors such as incorrect start and stop times can also occur, but this is due to natural causes such as complex time signatures or poor synchronization of the midi file, which is actually quite widespread.
SCB must be said to work very satisfactorily, after all
16: Are all levels optimized, or do they follow the midifile`s levels or a fixed value ?
Very surprisingly, SCB corrects all levels, and this is mostly done very well
17: Are the correct sounds selected ?
Yes; everyone I've checked has had identical sounds to the midi file
18: Are the correct Keyboard Sets selected, and are their levels correct ?
Keyboard Sets are generally very well composed, of the levels are generally well adapted to the style
Note:
Keyboard Sets work surprisingly well, but seem to follow a very limited layout, which repeats itself for almost every style.
19: Are the correct MultiPads selected, and are their levels correct ?
No, this varies a lot - many times pads are chosen that don't fit the style at all, and sometimes they aren't synchronized correctly
20: Is the Chord Sequence created correctly ?
No; in fact, not a single Chord Sequence has been created correctly, and all of them are, to put it mildly, chaotically composed and completely useless
21: Are all parts created so that the harmonization is correct ?
This varies depending on the quality of the midi file and the complexity of the harmonies - many have incorrect harmonization, but there are several examples where this works brilliantly and without any errors
22: Are Intro 2 and Ending 2 made neutral, like Pa internal styles ?
Yes; all styles have neutral Intro 2 and Ending 2, and these work very well
23: How well does SCB convert DOO midi files ?
These are some of the worst I've tested - they all sound terrible no matter what instruments are changed, and they are full of flaws.
DOO midi files are definitely not recommended, because they are below average quality
24: Does SCB keep the original key of the midi file, or does it change it to C ?
The original key is retained, which should probably be changed, because this causes errors during the process.
25: Does SCB recreate effects that are present in the midi file ?
Values are translated to Master Effects FX1 and FX2 for each file, but the effect itself is most often omitted
26: Does SCB create effects for style parts, Keyboard Sets or MultiPads ?
Yes - SCB creates effects for both style parts, Keyboard Sets and MultiPads when these are present in the midi file, as well as values for these.
This is a very extensive test that will continue for a while, and I have chosen to post my 26 questions that I am seeking answers to.
These will be answered as I can reasonably be sure to give an answer; either with red or green text - negative or positive.
This also makes it easy to see what has been covered during the test.
1: Can both format 0 and 1 be used, or only one ?
It seems that both format 0 and 1 can be used, because the version for Pa4X kept giving messages about the wrong format, while this one has not done this so far, and I have tested several hundred midi files from different origins
2: Can all types of midi files be used, or only GM ?
All formats work
3: How well are the different formats such as GM, GM2, GS, NX and XG handled ?
GM2 and NX work OK, while GS is the closest to GM, which works best of all.
XG works poorly, and here it's interesting to mention DOO midi files, which are supposedly GM, but are actually XG converted to GM.
This results in a lot of missing parameters, which makes these the worst of all.
DOO gets paid well to fool people..!
4: Are there built-in copyright restrictions ?
YES - I have experienced this several times, but most midi files can be loaded.
When a midi file is restricted by Copyright, this causes the keyboard to restart when you try to convert.
This is a bad solution chosen by Korg - they could have simply stated that the file is Copy protected.
5: Are there (other) hidden limitations ?
It must be called a limitation when a file cannot be converted and the message Conversion failure! appears, without giving the reason, which is probably that the file is Copy Protected
6: Are there any editing options ?
No - automatic conversion only
7: To what extent is SCB able to make correct transpositions ?
Bad - most of the approximately 50 midi files I have tested get the wrong transposition in Intro 1 and Ending 1. Several styles have incorrect transposition in either Intro 1 or Ending 1 - or both.
These can usually be corrected on the keyboard, but not always.
Occasionally, incorrect transposition also occurs in a Variation track, but this cannot be corrected.
8: How well does SCB manage to exclude MEL tracks from Variations ?
This varies greatly - in many cases MEL tracks are included in Variations - sometimes this works well, others not
9: Is SCB capable of creating usable styles from very simple midi files that only have drums, bass and piano ?
No - the piano has a melody role (MEL), and SCB is not able to interpret this as Playback
10: Is SCB capable of handling complex midi files with 16 tracks ?
Yes; this seems to work without any problems
11: To what extent are complex midi files converted with a good result ?
This varies greatly - if the midi file contains many complex chords that change frequently, this goes very badly. The same happens with unusual time signatures, or if the time signature changes along the way - songs like Money by Pink Floyd crash completely. Nevertheless, SCB often surprises by managing to create working styles from complex midi files
12: How many bars are chosen for Variations - 4 or 8 or more ?
For the most part, 4 bars are used, which is to be expected, simply because most songs are in 4/4. Many have both 2 and 4 bars, but there are several examples where 8 bars are also used. In addition, I have noted that 2 bars are occasionally used in Fills
13: Does SCB create all parts (all intros, variations, fills/break and endings) or just some ?
Yamaha's version never does a complete job
Yes; all parts are created - without exception. Here SCB outclasses Yamaha's version
14: Is SCB able to vary the choice of active instruments for individual style elements ?
Yes; I have seen some examples of this being done
15: Do all parts start and stop at the correct bar ?
In the vast majority of cases, all Variations and Fills start correctly. However, it is very common for Intro 1 and Ending 2 to start and stop at the wrong bar, which is due to too few bars in these.
* In a few cases it happens that the style does not work at all - nothing happens when a part is pressed.
* It has also happened that everything hangs when a style is started, and the keyboard has to be restarted.
* Errors such as incorrect start and stop times can also occur, but this is due to natural causes such as complex time signatures or poor synchronization of the midi file, which is actually quite widespread.
SCB must be said to work very satisfactorily, after all
16: Are all levels optimized, or do they follow the midifile`s levels or a fixed value ?
Very surprisingly, SCB corrects all levels, and this is mostly done very well
17: Are the correct sounds selected ?
Yes; everyone I've checked has had identical sounds to the midi file
18: Are the correct Keyboard Sets selected, and are their levels correct ?
Keyboard Sets are generally very well composed, of the levels are generally well adapted to the style
Note:
Keyboard Sets work surprisingly well, but seem to follow a very limited layout, which repeats itself for almost every style.
19: Are the correct MultiPads selected, and are their levels correct ?
No, this varies a lot - many times pads are chosen that don't fit the style at all, and sometimes they aren't synchronized correctly
20: Is the Chord Sequence created correctly ?
No; in fact, not a single Chord Sequence has been created correctly, and all of them are, to put it mildly, chaotically composed and completely useless
21: Are all parts created so that the harmonization is correct ?
This varies depending on the quality of the midi file and the complexity of the harmonies - many have incorrect harmonization, but there are several examples where this works brilliantly and without any errors
22: Are Intro 2 and Ending 2 made neutral, like Pa internal styles ?
Yes; all styles have neutral Intro 2 and Ending 2, and these work very well
23: How well does SCB convert DOO midi files ?
These are some of the worst I've tested - they all sound terrible no matter what instruments are changed, and they are full of flaws.
DOO midi files are definitely not recommended, because they are below average quality
24: Does SCB keep the original key of the midi file, or does it change it to C ?
The original key is retained, which should probably be changed, because this causes errors during the process.
25: Does SCB recreate effects that are present in the midi file ?
Values are translated to Master Effects FX1 and FX2 for each file, but the effect itself is most often omitted
26: Does SCB create effects for style parts, Keyboard Sets or MultiPads ?
Yes - SCB creates effects for both style parts, Keyboard Sets and MultiPads when these are present in the midi file, as well as values for these.
Shared knowledge provides increased knowledge
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Audiotek W460S Bullet tweeters ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to MBL 6010 Pre Amp to all keyboards



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