Thread Rating:
  • 1 Vote(s) - 5 Average
  • 1
  • 2
  • 3
  • 4
  • 5
NEGATIVE COMPRESSION
#1
Lightbulb 
NEGATIVE COMPRESSION

If you use many effects on your keyboard at the same time and these are not optimally adjusted in relation to each other, this can lead to negative compression.

But what exactly is negative compression, and what does it sound like ?


Negative compression (or negative-ratio compression) does not sound like one single thing because it acts as an extreme, creative effect rather than a tool for transparent volume control.

To get a sense of what negative compression sounds like in an audio context, it helps to see how it bends a sound's dynamics:

In a standard compressor, when a sound exceeds the threshold, it gets quieter—but the output still increases slightly as the input gets louder. In a negative compressor, the exact opposite happens: the louder the input signal gets after passing the threshold, the quieter the output actually becomes.

When pushed, this creates distinct audible characteristics:

* The "Backward" or Pumping Effect: When applied to a percussive sound or synth pluck, the compressor allows the initial transient (the snap of the sound) to pass through, but then clamps down so hard that the volume drops below the threshold. This creates a reverse/sucking sound, making the tail or sustain of the note swell up before the sound fades away.

* Transient Splitting: By driving a drum or a bassline heavily into a negative ratio, the compressor literally "punches a hole" in the middle of a hit, effectively splitting a single note or drum strike into two distinct clicks.

* Extreme Ducking: On complex mixes or stems, a heavy negative ratio causes the entire audio signal to drop aggressively in volume whenever a specific loud peak (like a kick drum or a horn part) hits, creating a hard, rhythmic "pumping" and "gating" movement.


I didn't know about negative compression until I got the Pa5X and started working with effects.
I discovered early on that the phenomenon occurred when an effect had unfortunate settings, or didn't work optimally with another.

There are actually a lot of cases of negative compression on the Pa5X's internal styles, and the Finalizer function (EQ, Limiter and Compression) is largely to blame, because the problem is reduced when it is not used.

What I notice most is the pumping effect and extreme ducking that occurs.

Something similar can be experienced with a poorly designed bass reflex port in a speaker cabinet.

And a horn system with compression drivers will experience extreme negative compression if the horn is removed, because the resistance in the horn creates the necessary pressure for everything to work optimally.
Shared knowledge provides increased knowledge
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven

KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)

MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit/384 kb DAC ||| Topping USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| FM Acoustics FM 255 Resolution Series Pre amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Compression Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Compression Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards
[-] The following 3 users Like Chello's post:
  • mb_pa5x (Yesterday), musicalmemoriesuk (Yesterday), whitecolin1 (Yesterday)
Like Reply




Users browsing this thread: musicalmemoriesuk, 21 Guest(s)