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Ever find yourself selecting sounds without a goal?
Ever notice you try sound after sound
and nothing feels right — because you haven’t decided what each should do?
General Music WK4, Technics Kn5000, Solton Ms60, Yamaha Psr K1, Tyros 4, Korg Pa50sd and Korg Pa700, Korg Pa5x Paas Mk2 Speaker and Yamaha Genos
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What keyboard model(s) do you have ?: SX900, E373, DGX-640
Location: U.S.
Bio: I took over 10 years of pianos lessons. I enjoy playing arranger keyboards but also play piano pieces.
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To me sound selection should be intuitive, where you may or may not have a specific goal, but rather a creative "feeling" of what the sound should be. Sort of like an experienced painter knowing exactly what color he wants to mix on the palette. 9 out of 10 times I am playing music from an existing piece written by someone else (classical, pop, rock, new age etc.) so I tend to choose sounds that matches what the composer chose to record.
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What keyboard model(s) do you have ?: KORG PA5X 76 - KORG OASYS 76 SONDIUS-XG VERSION - KETRON AUDYA 76 - YAMAHA PSR-9000 PRO - KORG KRONOS 1 73
Location: Norway
Bio: Retired Self-employed | CNC Operator | Machine mechanic | Formwork carpenter | Machine carpenter | Student Counselor for the National Immigrant Organization | Advisor for the National Immigrants' Organization | Leader of supervisors | Newspaper CEO editor | Caretaker | Alpha & Betatester for NFS World & Auto Club Revolution
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The description that ✪Rich gives is perhaps the only one that describes it the way I would have done it.
I always use intuition, and try to find a sound that fits existing ones; much like an experienced painter would do to expand the palette (excellent comparison).
I almost never play other people's compositions as they are intended, and prefer to create my own, or make my own arrangements, where I try to find new ways to play traditional melodies.
This is very musically developing for me.
Shared knowledge provides increased knowledge
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven
KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)
MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit DAC - connected through USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards