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A MUSICIAN'S CAPACITY FOR IMPROVISATION AND WHAT IT TELLS US
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A MUSICIAN'S CAPACITY FOR IMPROVISATION AND WHAT IT TELLS US

This is not a theoretical explanation - I have no theoretical schooling in music, and am 100% self-taught.
For the same reason, my ability to play "by the book" is very limited, also because my fingering is my own.
From the time I was about 6 years old, I have had a fondness for advanced chords and intuitively understood that improvisation is based on the chord's choice of tone; read: the quarter and fifth circle.

One of the most rewarding things I know about playing music is playing a style I've never heard - hitting the intro and immediately creating something based on it.
I do this every day.

In earlier years when I played accordion and bass, I often played with random musicians playing unfamiliar music - it was crazy fun to be able to "guess" the right chord - "guess", because this is not guessing, but musical ability, and to a certain degree of learned knowledge.

Something I also often do today is to play midi files on the keyboard/synth, where I mute the solo voice and play on intuition.
This is very developing for one's musicality and ability to improvise, and often results in new discoveries about how chords can be combined and interpreted.

Even the most famous musicians tend to play quite similar to each other - only a few have a unique way of improvising, and I've studied several of these to find out what they actually do differently.
These have what I often call their own musical fingerprint, which we all have to a certain extent - for me it's an eternal search to find mine, without getting stuck in a pattern, as most people do.

A musician who has his own musical fingerprint is easy to distinguish from others, and it should be every musician's goal to find his own.

Your ability to improvise says a lot about who you are as a musician.
Shared knowledge provides increased knowledge
If we all share everything we have, we all have everything
Every theory is only a hypothesis until it is practically proven

KEYBOARDS, SYNTHS & MODULES I HAVE HAD AND HAVE
Casio CTK 811-ex ||| Roland EXR-7 76 ||| Yamaha DGX-620 ||| Yamaha PSR-550 ||| Yamaha PSR-S700 ||| Korg Pa800 ||| Korg Pa3X 61 ||| Deebach XMS-Pro ||| Ketron Ajamsonic ||| Casio WK-7500 ||| Yamaha Tyros5 61 ||| vArranger ||| Ketron Audya5 61 ||| Yamaha PSR S950 ||| Solton X8 Chromatic ||| Yamaha Tyros4 10th Anniversary ||| Korg Pa4X 61 ||| Roland BK-7m ||| Technics KN-6000 ||| Technics KN-7000 ||| Roli Seaboard RISE 49 ||| Deebach MAX Plus ||| Yamaha Genos ||| Korg Pa700 ||| Korg Kronos2 73 ||| Tyros4 61 ||| Deebach BlackBox ||| Korg Pa2X Pro ||| Yamaha A3000 ||| Ghenos Plus ||| Medeli AKX10 ||| Korg Nautilus 73 ||| Yamaha DGX-670 ||| Korg Krome EX-88 ||| Korg OASYS 76 Sondius-XG version ||| Korg Pa5X 76 (Pythagoras Tuned) ||| Yamaha Tyros1 ||| Ketron Audya 76 (Own developed OS) ||| Yamaha PSR-3000 ||| Yamaha 9000 Pro ||| Yamaha MODX M8 ||| Korg Grandstage X ||| Roland Juno-D7 ||| Korg Kronos 1 73 (Pythagoras Tuned)

MY PA EQUIPMENT NON-ACTIVE AND ACTIVE
Aune S6 32 bit DAC - connected through USB Isolator ||| MOTU 32 bit Audio Interface ||| TEYUN Q26 32 bit/384 kb Audio Interface ||| FM Acoustics FM 300A Power amp ||| MBL 6010 Pre Amp ||| STAX SR-L300 (Lambda) electrostatic headphones with STAX SRM-252S Amplifier ||| beyerdynamic T70 headphones (without pads) ||| Baffle horns equipped with Seas Exotic 8" fullrange units ||| JBL horns with Planar membranes ||| Fountek NeoPro 5i (Special Edition) ribbon tweeters with Planar membranes ||| Hexagonal subwoofer with 12 pieces Push&Pull coupled Seas Prestige 8" units, 1 item 10" slave unit and built-in XTZ power amplifiers & Cambridge Azur 640A as pre amplifier ||| Yamaha HS-5 active monitors connected to all keyboards
[-] The following 3 users Like Chello's post:
  • musicalmemoriesuk (07-29-2024), Roshure (07-29-2024), welsh wizard (07-29-2024)
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